Part of a triptych

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From the “Hushless” series.

Noise represents the inevitable outcome of the fracture: the moment when inner silence ceases to be such and transforms
into a constant, diffuse presence, impossible to ignore. If in Bleed the pain bleeds and in Rift it breaks, in Noise
the melancholy loses its center and spreads everywhere.

The circular shape amplifies the idea of ​​a closed and relentless space, an emotional field in which the pain no longer
has a single point of origin: everything vibrates, everything resonates.
The deep, dense, and layered blue isn’t a background but a living material, traversed by a dense network of golden signs
that multiply until they saturate the surface. There is no longer a single, recognizable wound: the pain has fragmented into an incessant buzz,
a nervous texture that envelops the entire space of the work.

The gold no longer emerges as a flow or a fracture line, but shatters into a myriad of subtle, irregular, almost electric traces.
It is the mental noise of chronic melancholy: not explosive, but persistent, exhausting, deafening precisely because it is continuous.
A sound that hasn’t volume, but duration.

In Noise, suffering no longer demands attention: it exists. It has become an internal landscape, a constant vibration,
the impossibility of returning to silence. The work offers neither resolution nor catharsis, but bears witness to the state of someone who has learned
to live with a noise that never stops speaking.