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From the “When Our Souls Touched” series.

An anthology of being between matter and dissolution.

The triptych takes the form of an inner journey in three acts, a progressive revelation
of the self which, through contact, solitude, and finally transcendence, strips itself
of form to recognize itself in the infinite.

Color acts as an original dimension: it isn’t a background, but the substance of being. In it, the body
manifests itself, questions itself, and finally dissolves.

In the first act, being is discovered in the reflection of the other.

The figures emerge as suspended presences, fragile, almost incomplete, defined more by their bond than by their individuality.
The bodies aren’t yet fully incarnated: they touch, they seek each other, but remain crossed
by a subtle tension between union and separation.

Blue is distance and dream, while dawn—in its warm, golden tones—bursts
like an inevitable truth: time exists, and with it, loss.

The flowing hair, melting into space, becomes an extension of the self: filaments of memory, echoes
of a contact already destined to transform.
Here, being is relationship.

It is in touch that the self becomes aware of itself, but it is also in the imminent
detachment that it perceives its limit.