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From the “Limina” series.

Limina explores matter as a space of transition between the microcosm and the macrocosm.
The works arise from the idea that what exists on an infinitely small scale is reflected, with the same logic, in what is infinitely large.

Through drips and aggregations, matter appears as a system in constant becoming, where biological
and cosmic structures overlap and echo one another.

There is no clear separation between inside and outside:
the body and the universe share the same grammar.
Limina is a threshold space in which form emerges and transforms, revealing the continuity
between the human being and the whole.

Alveus represents matter in its initial state, when form is still in potential.
Drips and stratifications move like currents in formation, suggesting a primordial
environment—fertile yet unstable.

The pictorial space has no defined center: it is a dynamic field where fluid elements
continuously gather and disperse.
The surfaces simultaneously evoke geological landscapes and cellular structures, placing
the work in a suspended dimension between interior and exterior.

Here, chaos isn’t disorder, but a necessary condition for the birth of form.
Alveus is the place of origin, where everything is still possible.