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From the “When Our Souls Touched” series.

An anthology of being between matter and dissolution.

The triptych takes the form of an inner journey in three acts, a progressive revelation of the self which, through contact, solitude,
and finally transcendence, strips itself of form to recognize itself in the infinite.

Color acts as an original dimension: it isn’t a background, but the substance of being. In it, the body manifests itself, questions itself,
and finally dissolves.

In the second panel, the gaze retreats: the other disappears, and only the self remains in its most essential form.

The body folds in, withdraws into itself, assuming a primal, almost fetal posture. It isn’t
closure, but concentration: a return to the core of existence.

Breath becomes the center of the world.

No longer invisible, but living matter: a dense, golden substance that springs
from the skin as a tangible manifestation of being. It is time that becomes body, the instant that settles.

The blue becomes deeper, more enveloping: it is no longer distance, but interiority.

Here, the self itn’t defined through the other, but through its own presence.

Existence becomes both a physical and spiritual act: every breath is a creation,
every moment a proof of one’s own reality.