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From the “Error System” series.

A triptych born from a mistake. Or perhaps from disobedience.

The initial idea was simple: a study of color, the depth of blue, the variations
of matter. But as the mind sought control, the hand began to deviate.
Textures transformed into currents, shades into seabeds, pulses into the sea.
What was supposed to be abstract began to resemble something alive.

From this fracture between intention and gesture, Error System was born: a visual system built
on a creative “bug,” where the unconscious takes control and modifies the intended path.
The titles deliberately recall technical and computer language—Input, Bug, Output—but
here the process isn’t digital: it is emotional, instinctive, human.

The error doesn’t interrupt the system.
It generates it.

Bug is the work that changed everything.

Born as a simple chromatic experiment, it slowly began to transform into a seascape,
without ever having been planned as such. The color took on autonomy, the material
began to suggest waves, depth, movement.

This work represents the creative error: that point where the hand stops executing and begins to decide.
An interference from the unconscious.

An anomaly that alters the expected path and opens a new direction.