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From the “Error System” series.

A triptych born from a mistake. Or perhaps from disobedience.

The initial idea was simple: a study of color, the depth of blue, the variations
of matter. But as the mind sought control, the hand began to deviate.
Textures transformed into currents, shades into seabeds, pulses into the sea.
What was supposed to be abstract began to resemble something alive.

From this fracture between intention and gesture, Error System was born: a visual system built
on a creative “bug,” where the unconscious takes control and modifies the intended path.
The titles deliberately recall technical and computer language—Input, Bug, Output—but
here the process isn’t digital: it is emotional, instinctive, human.

The error doesn’t interrupt the system.
It generates it.

In Input is the beginning of the process.

A seemingly calm surface, where the sea barely emerges from the material, like a still
undefined thought. Here, the attempt at control still exists: the composition
is open, silent, almost restrained.

It is the moment when intention enters the system.
But something is already changing beneath the surface.