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From the “Error System” series.

A triptych born from a mistake. Or perhaps from disobedience.

The initial idea was simple: a study of color, the depth of blue, the variations
of matter. But as the mind sought control, the hand began to deviate.
Textures transformed into currents, shades into seabeds, pulses into the sea.
What was supposed to be abstract began to resemble something alive.

From this fracture between intention and gesture, Error System was born: a visual system built
on a creative “bug,” where the unconscious takes control and modifies the intended path.
The titles deliberately recall technical and computer language—Input, Bug, Output—but
here the process isn’t digital: it is emotional, instinctive, human.

The error doesn’t interrupt the system.
It generates it.

Output is the final consequence of the bug.

The sea has now fully emerged: the wave, the foam, the movement become clear, almost
inevitable. The image manifests itself without resistance.

What began as control has transformed into abandonment.
The final work is the result of a process that has ceased to obey the initial logic to follow
something deeper, more intuitive, and uncontrollable.

The output isn’t the solution to the system.

It is the visible trace of the error that transformed it.