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From the “Limina” series.

Limina explores matter as a space of transition between the microcosm and the macrocosm.
The works arise from the idea that what exists on an infinitely small scale is reflected, with the same logic, in what is infinitely large.

Through drips and aggregations, matter appears as a system in constant becoming, where biological
and cosmic structures overlap and echo one another.

There is no clear separation between inside and outside:
the body and the universe share the same grammar.
Limina is a threshold space in which form emerges and transforms, revealing the continuity
between the human being and the whole.

 Rima introduces a more defined tension: a fracture crosses the composition,
creating a visual and conceptual threshold.
Matter seems to organize itself around this opening, as if passing through a state of
transformation.

The contrast between depth and light generates a movement that guides the gaze,
suggesting a crossing.
Forms condense and rarefy, giving rise to vortices, currents, and systems in mutation.

Rima is the moment of passage: the point at which matter is no longer only origin, but begins
to recognize itself as structure.
It is an unstable threshold where change becomes visible.